IFK_Junior Fellowships

Die Forschungsprojekte müssen aus dem Gebiet der Geistes- und Sozialwissenschaften kommen und interdisziplinär ausgerichtet sein. Zudem fördert das IFK Projekte, die sich kulturwissenschaftlichen Fragestellungen und Verfahren widmen. 
Bewerbungen sollten sich auf den aktuellen Forschungsschwerpunkt des IFK zum Thema „Imaginationen der Unordnung“ oder auf innovative Themen aus dem Bereich der Geistes- und Sozialwissenschaften beziehen.            

     
Gefördert werden DoktorandInnen an österreichischen Universitäten bzw. DoktorandInnen mit österreichischer Staatsbürgerschaft. Junior Fellows bekommen einen Arbeitsplatz am IFK zur Verfügung gestellt und ein monatliches Stipendium von Euro 1.200,-.

ACHTUNG: Ende der Antragsfrist: 19. Jänner 2015 (es gilt der Poststempel).                   
Für Interessierte bietet das IFK eine INFORMATIONSVERANSTALTUNG am 9. Dezember 2014, Beginn 17.00 Uhr s. t., an (Ort: IFK, Reichsratsstraße 17, 1010 Wien).                                                    
Antragsformular unter: http://www.ifk.ac.at/cms/index.php/actual-calls.html              

Kunstwettbewerb „Kunststoff“

Die GFK (Gesellschaft für Kulturpolitik) und der BSA OÖ [Anm. KUPF: beide Organisationen im Naheverhältnis zur SPÖ] veranstalten gemeinsam einen Kunstwettbewerb. Dieser wird jetzt ausgeschrieben und junge, in Oberösterreich lebende KünstlerInnen können ihre Konzepte und Ideen bis 30.01.15 einreichen.

Im April 2015 geht der Linzer Kunststoff in die erste Runde. Die Veranstaltung versteht sich als Plattform, die jungen, in Oberösterreich lebenden KünstlerInnen aus unterschiedlichen Kunstsparten die Möglichkeit bietet, ihre Arbeiten einer breiten Öffentlichkeit zu präsentieren. Aus den eingereichten Konzepten trifft eine Fachjury eine Auswahl und die TeilnehmerInnen erhalten einen Kostenzuschuss von 200 € für die Umsetzung. Die fertigen Arbeiten werden dann in der Tabakfabrik Linz ausgestellt und können am 22.April 2015 im Rahmen einer Abendveranstaltung von den BesucherInnen in Form eines Parcours entdeckt und besichtigt werden. Am Ende wird ein Projekt mit dem Publikumspreis (1000 €) ausgezeichnet.

Gesucht werden:
Kunstprojekte aller Art, wie Performances, Raum- oder Videoinstallationen, Texte, Gemälde, Zeichnungen, Objekte, Fotografien uvm.

Zum Thema:
Brave New Economy? – Geht es uns wirklich auch gut, nur weil es der Wirtschaft gut geht? Wie könnte die Welt(-wirtschaft) in 50 Jahren aussehen? Gleich einer Dystopie à la Aldous Huxley? Ist das jetzige System noch tragbar oder zeichnen sich am Horizont schon Alternativen ab? Sendet uns eure apokalyptischen, optimistischen, innovativen oder irrsinnigen Ideen, Bilder, Konzepte!

Teilnahmeberechtigt sind alle in Oberösterreich lebenden KünstlerInnen bis 35 Jahre

Einreichen:
Konzepte, Ideen, eine kurze Beschreibung deiner Person sowie spezielle Anforderungen (welche nicht durch den Umsetzungsbeitrag gedeckt werden können)

an BSA OÖ, Landstraße 36, A-4020 Linz oder KunstStoff@bsa-ooe.at

 

Organisation:
BSA Oberösterreich, GFK – Gesellschaft für Kulturpolitik

 

 

Frauenpreis der Stadt Linz

Auf Initiative von Frauenstadträtin Mag.a Eva Schobesberger wird der „Frauenpreis der Stadt Linz“ jährlich vergeben. Diese Auszeichnung soll durch die öffentliche Aufmerksamkeit, finanzielle Unterstützung und politische Anerkennung helfen, die feministischen und frauenpolitischen Anliegen des ausgezeichneten Projektes voranzubringen, sowie als Vorbild zu geschlechterdemokratischem Handeln ermutigen.

 

Dotierung

€ 3.600,00

Zusätzlich wird das Symbol „Hexenbesen“ verliehen.

 

Teilnahmebedingungen

Der Preis richtet sich an Vereine, NPOs, NGOs und Projektinitiativen aus Linz oder Einzelpersonen, die durch Geburt, Wohnsitz oder ihr Schaffen in besonderer Weise der Stadt Linz verbunden sind. Der Frauenpreis kann nicht an Gebietskörperschaften oder an politische Parteien verliehen werden.

Für die Auslobung kann pro Linzer Verein, NPO, NGO, Projektinitiative oder Einzelperson jeweils ein Projekt eingereicht werden, welches bereits realisiert wurde.

Das eingereichte Projekt zeichnet sich durch herausragende Aktivitäten und besonderes Engagement für Frauen und Mädchen aus – insbesondere durch:

  • Pionierarbeit in einem frauenpolitischen Tätigkeitsbereich
  • Verwirklichung der Geschlechterdemokratie
  • Sensibilisierung und/oder Beseitigung von Diskriminierung aufgrund des Geschlechts und der geschlechtlichen Identität
  • Gesellschaftspolitisches Engagement zur Verwirklichung von Menschenrechten
  • Eintreten für die Auflösung einschränkender stereotyper Rollenbilder
  • Aufzeigen des Potenzials von Frauen und deren Entwicklungsmöglichkeiten abseits stereotyper Lebensformen.

Es können auch Projekte eingereicht werden, die bereits durch eine Subvention der Stadt Linz gefördert wurden bzw. eine Förderung des Frauenbüros der Stadt Linz erhalten haben!

Genauere Informationen sowie das Einreichformular finden Sie auf unserer Homepage unter:

http://www.linz.at/frauen/4927.asp

Call for partners! EMPHOKA Project by Puertas de Castilla

Puertas de Castilla Cultural Centre hosts a resident project which aims to provide an itinerant photographic exhibition model to cultural centers worldwide. The model is based on DIY (do it yourself) philosophy with minimal audiovisual resources. It is a zero expenditure exhibition model and does not require any financial investment. Cultural centres interested in hosting this exhibition project will be offered a more detailed explanation about how to assemble it; what kind of relationship & dialogue should be launched between them and Puertas de Castilla Centre.

The project’s main aim is sharing: EMPHOKA collects members‘ work through offline cultural environments, expanding its scope to all amateur photographers regardless of the different formats they use.

About Emphoka
EMPHOKA is a non-profit project focused on the promotion of emerging photographers. EMPHOKA currently comprises 945 photographers from 74 countries.

EMPHOKA believes in photography as a creative experience, as an approach to art, both in an aesthetic sense and as a conceptual one. A process of learning and a communication vehicle through a constant dialogue between the image and the reality of the author. Today EMPHOKA hosts the best compact photography collection on the internet.

How to participate in Emphoka
As an author
If you want to belong to the EMPHOKA Collective – www.emphoka.net – you can upload your pictures to our Flickr group – www.flickr.com/groups/emphoka. Then, your photographs will be ready to be selected as: Photo of the Day, Photo of the Week and Photo of the Month and published in our networks. You can also participate in several exhibitions and publications promoted by Emphoka.

As a supporter
You can also support us by Liking our page on Facebook – www.facebook.com/emphoka – and telling us which pictures you like most.

If you are interested in taking part in EMPHOKA PROJECT contact Alfredo Benito: alfredo@puertasdecastilla.es

And, of course, you can follow us online:

 

www.emphoka.net
www.flickr.com/groups/emphoka
www.facebook.com/emphoka
www.twitter.com/emphoka – @emphoka
www.pinterest.com/emphoka
www.vimeo.com/channels/emphoka

 

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Atelier for Young Festival Managers in Korea: Public Call for Interest

The Festival Academy, an initiative of the European Festivals Association (EFA), is delighted to announce that the Atelier for Young Festival Managers will take place for the second time in Asia in September 2015 (exact dates to be confirmed) in Gwangju, South Korea. The Atelier Gwangju will coincide with the inauguration of the Asian Culture Complex (ACC), with close collaboration with ACC’s Asian Arts Theatre. Ten renowned festival directors will guide 45 participants from the region and from all over the world through the 7-day training programme in this very special context of a very ambitious and momentous art project in Korea.

This first Atelier for Young Festival Managers in Korea offers a unique opportunity to dig into the Asian arts context, to look at the regional visions for what is contemporary art, what are the missions of new venues and festivals, and what are the cultural visions regarding social concerns in a global world. This will all take place in Gwangju, the sixth largest city in South Korea close to the Yellow Sea and the East China Sea.

If you are interested in applying for the Atelier please read carefully the information below as well as on the general Atelier website.

Mission of the Atelier

The Atelier – initiated by the European Festivals Association (EFA) – is guided by the motto “The true role of a festival is to help artists to dare, to engage in new projects,” borrowed from Bernard Faivre d’Arcier, longstanding Director of the Avignon Festival and President of the Lyon Biennial (France). It is an intense and rigorous 7-day training platform addressed at emerging artistic festival directors or those who have ambitions to become involved in programming or in programming related departments within a festival. It is all about formulating experiences and passing on knowledge to a next generation of festival makers: knowledge about programming a festival, thematically focusing on the very essence of arts festivals: the arts and the artist.

Format

The skills of festival managers needed for the artistic development of festivals is at the heart of the Atelier. For seven days, participants will work in small groups, attend lectures and debates, learn from case studies and implement practical activities. Atelier mentors and presenters – all renowned, trailblazing festival managers from all over the world – will share their rich experiences with the participants. The Atelier goes beyond traditional teaching practices; the carefully selected young programmers will widen their horizons and perspectives on festivals and programming practices. They will be able to enlarge and build a sustainable network which proves to be essential on the long-term.

Presenters

Under the coordination of Hugo De Greef (former EFA Secretary General, Founder and former Director Kaaitheater), leading and experienced festival operators, professionals and artists from all over the world will guide the participants. Mentors and presenters, pioneering festival managers, will lead workshops and take part in round tables and debates – all of them spending several days with the participants which will allow face-to-face contacts and discussions. At least three of the experienced festival leaders will stay for all seven days. Have a look at the list of presenters of the previous Ateliers.

Partner & city

Asian Culture Complex (ACC) is a government-funded establishment housed in the heart of Gwangju, a southwestern metropolitan city of South Korea. ACC is doubtless the most ambitious and momentous art project in Korean history in terms of budget, artistic vision and spatial scale.

Based in this newly constructed complex, Asian Arts Theatre (AAT) questions, supports, and creates contemporary performing arts in Asia. Scheduled to open in 2015, AAT will produce, co-produce, invite and promote art works from Asia as well as the rest of the world. It aspires to become a hub for the production, presentation, discussion and international distribution of the most cutting-edge works in the context of the international performing arts scene.

What is Asian art? What is contemporary art? The Asian Arts Theatre seeks to perform these questions. It will do so by inviting artists with unique and stirring visions, artists who can evoke, respond to and reshape the most urgent aesthetic and social concerns of our time. AAT puts the artists right in the core of its engine, by providing them with full professional supports – financial, residential, and artistic – with which they can work through their own visions free from any political pressure or aesthetic bias. The outcomes of these endeavors will be presented through two channels of presentation: the annual festival and seasonal programming. In September 2015, AAT opens with a three week opening festival which will present almost 30 commissioned, co-produced and invited works, with main emphasis on Asian artists.

Theme & topics

Particular emphasis is placed on the artistic aspects of festival management, including artistic vision, political and social responsibility, internationalisation, networking, renewal and sustainability:

  • How to articulate, develop and realise an artistic programme?
  • Who contributes to the artistic process?
  • What is the role of festivals as platforms for creation and innovation?
  • What is the importance of festivals for artists? How can festivals serve the art?
  • How important is the contact with artists? To what extent do the selected artists have an impact on the identity of the festival?
  • How to set up and handle partnerships with artists, cultural organisations and institutes?
  • How to ensure artistic autonomy in altered situations and under pressure?
  • How to recognise and contribute to the development of successful projects and talents?
  • What are the risks of programming and how to manage them?
  • What is the importance of venues, their impact on the programme and the audience?
  • What is the role of internationalisation in a festival’s work?
  • What is the role of festivals in creating global citizenship, intercultural dialogue, participation and access to culture?
  • What are new models of collaboration in a globalising world?
  • In how far do festivals appear like instruments of change? Hence, allowing the artists and audiences alike to open up new perspectives and contributing to fostering democracy?
  • How can large scale festivals continue to make sharp artistic choices, even for big audiences?

Attention will be given to more questions and issues raised throughout the Atelier.

Participants

The Atelier is a working space especially designed for festival operators:

  • Dealing with one or more artistic disciplines within a festival
  • Having a basic practical knowledge in festival operation
  • Demonstrating the ambition to deepen their skills in the field of programming or in a department closely related to it (e.g. communication, production…)
  • Proving alternatively that a study course (already completed or due to be completed) is in line with the Atelier
  • Giving evidence of his/her ambition to work in the festival business

Terms and conditions

The following application criteria will be applied (not cumulative):

  • Average age of Atelier participants (from experience of past editions) is 35
  • Excellent knowledge of English (working language of the Atelier)

Applications (selection criteria are not cumulative) must be:

  • Supported by a festival or another initiative in the cultural sector
  • Supported by a training/academic institute (study module)
  • Based on a proof of future employment in the field
  • Based on personal arguments and motives

Course fee

  • Individual EFA members: 1300,00 EUR
  • Non EFA-members: 2100,00 EUR

The fee includes accommodation for seven nights (in a hotel in walking distance to all venues), registration, working documents, access to all sessions, meals and drinks, receptions, local transport, cultural and artistic programme and follow–up activities.

Travel expenses and health insurance are on the participants’ costs. EFA will assist as much as possible with visa issues and other permissions in preparation of the Atelier.

Application procedure

If you are interested in participating in this Atelier for Young Festival Managers, please send an email to atelier@efa-aef.eu. Interested participants will receive an official call for application with an application form. The call for application will be launched in November 2014. All information on the Atelier, selection criteria and application procedure can be found on the Atelier website.

Funding

Funding opportunities for a training programme such as the Atelier are numerous at local/national level. EFA advises applicants to start researching funding opportunities at national and international level from the moment they apply. EFA can provide information on possible support schemes at international level. Please indicate in your application if you need to apply for additional support in order to attend the Atelier and provide details of your funding applications including the final date of approval. Have a look at previous examples of participants funding and funding institutes.

Questions?

Please contact atelier@efa.aef.eu or call +32 9 241 8080.

Organisation

Organiser and initiator of the Atelier

The Festival Academy
www.TheFestivalAcademy.eu

European Festivals Association (EFA)
www.efa-aef.eu

Host and Co-organiser

Asian Culture Complex
www.cct.go.kr

Atelier for Young Festival Managers in Beirut; 21-27 March 2015.

Are you part of the next generation of artistic festival directors? Do you want to broaden your programming skills and be inspired by colleagues and experienced leaders in the field? Do you want to join a new network of future festival leaders worldwide? Call for Applications open: deadline extended until 31 October 2014!

The Festival Academy, an initiative of the European Festivals Association (EFA), and the Beiteddine Art Festival are delighted to confirm the final dates of the Atelier for Young Festival Managers in Beirut, Lebanon: it will take place from 21-27 March 2015.

“After the Atelier for Young Festival Managers planned for 2013 had to be postponed, I am happy to reiterate my invitation to host the first Atelier in the Arab world in Beirut, Lebanon in March 2015. I am looking forward to welcoming all the young festival managers in this artistically vibrant city that is Beirut,” said Nora Joumblatt, President of the Beiteddine Art Festival.

The Atelier for Young Festival Managers is an intensive 7-day training programme bringing together different generations of festival makers, some 45 participants and ten renowned festival leaders. It allows its participants to gain knowledge and skills in the field of artistic festival management. The application form must be submitted by 31 October 2014. Apply now!

If you are interested in applying for the Atelier please read carefully the information below as well as on the general Atelier website.
 


„At the Atelier you learn from experienced mentors, festival pioneers; you hear inspiring stories from young festival managers from around the world; and you broaden your network. But the unique thing is that you get to know more about yourself.“

Mohamed El Ghawy, AFCA for Arts and Culture, Egypt
Participant Atelier EDINBURGH 2014

Mission of the Atelier

The Atelier – initiated by the European Festivals Association (EFA) – is guided by the motto “The true role of a festival is to help artists to dare, to engage in new projects,” borrowed from Bernard Faivre d’Arcier, longstanding Director of the Avignon Festival and President of the Lyon Biennial (France). It is an intense and rigorous 7-day training platform addressed at emerging artistic festival directors or those who have ambitions to become involved in programming or in programming related departments within a festival. It is all about formulating experiences and passing on knowledge to a next generation of festival makers: knowledge about programming a festival, thematically focusing on the very essence of arts festivals: the arts and the artist.

Format

The skills of festival managers needed for the artistic development of festivals is at the heart of the Atelier. For seven days, participants will work in small groups, attend lectures and debates, learn from case studies and implement practical activities. Atelier mentors and presenters – all renowned, trailblazing festival managers from all over the world – will share their rich experiences with the participants. The Atelier goes beyond traditional teaching practices; the carefully selected young programmers will widen their horizons and perspectives on festivals and programming practices. They will be able to enlarge and build a sustainable network which proves to be essential on the long-term.

Partner & city

The culturally diverse host city is a key feature of the Atelier. A city is a place with historical meanings and its role as an entity in society is not to be underestimated.

Beirut, the capital city of Lebanon, strikes with its cultural dynamism. An overwhelming number of cultural events, such as artistic workshops, theatre plays, concerts and exhibitions of all kinds are presented to the public on a regular basis. In Beirut, art can be found everywhere, as more than 5000 artists are active in the city.

The Beiteddine Art Festival has been founded during the Lebanese Civil War in 1985. The festival, which started locally, has managed to raise international interest and has become the most attended festival in the region. For 27 years now, it has attracted more than tens of thousands of spectators every year in its beautiful location, the palace’s courtyards. The Beiteddine Art Festival is regarded as a great space of encounters for all those who believe that culture and art have a fundamental role to play in the development of society.

During the Atelier, participants will get to know and visit various cultural venues in Beirut.
 

„This vibrant and resilient city is the cultural hub of the Middle East. It is renowned for its festivals and artistic activities, universities, free press and its rich history, as well as for being a dynamic financial and banking center. Come and discover the cradle of civilization, and experience the successful encounter between East and West, and between tradition and modernity, in one of the ten liveliest cities of the world, the city of Beirut.“

Nora Joumblatt, President, Beiteddine Art Festival


Theme & topics

As in all the previous editions of the Atelier, the motto of the Atelier BEIRUT 2015 is: “The true role of a festival is to help artists to dare, to engage in new projects.” Particular emphasis is placed on the artistic aspects of festival management, including artistic vision, political and social responsibility, internationalisation, networking, renewal and sustainability:

  • How to articulate, develop and realise an artistic programme?
  • Who contributes to the artistic process?
  • What is the role of festivals as platforms for creation and innovation?
  • What is the importance of festivals for artists? How can festivals serve the art?
  • How important is the contact with artists? To what extent do the selected artists have an impact on the identity of the festival?
  • How to set up and handle partnerships with artists, cultural organisations and institutes?
  • How to ensure artistic autonomy in altered situations and under pressure?
  • How to recognise and contribute to the development of successful projects and talents?
  • What are the risks of programming and how to manage them?
  • What is the importance of venues, their impact on the programme and the audience?
  • What is the role of internationalisation in a festival’s work?
  • What is the role of festivals in creating global citizenship, intercultural dialogue, participation and access to culture?
  • What are new models of collaboration in a globalising world?
  • In how far do festivals appear like instruments of change? Hence, allowing the artists and audiences alike to open up new perspectives and contributing to fostering democracy?
  • How can large scale festivals continue to make sharp artistic choices, even for big audiences?

Attention will be given to more questions and issues raised throughout the Atelier.

Presenters

Under the coordination of Hugo De Greef (former EFA Secretary General, Founder and former Director Kaaitheater), leading and experienced festival operators, professionals and artists from all over the world will guide the participants through the seven days. Mentors and presenters, pioneering festival managers, will give lectures, lead workshops and take part in round tables and debates – all of them spending several days with the participants which will allow face-to-face contacts and discussions. At least three of the experienced festival leaders will stay for all seven days. Have a look at the list of presenters of the previous Ateliers.

The following festival directors had agreed to participate in the initial Atelier BEIRUT 2013. They are being invited to confirm their participation for the 2015 edition:

  • Robyn Archer (Creative Director The Centenary of Canberra (2013), Artistic Director The Light In Winter Melbourne, Australia)
  • Hugo De Greef (Atelier Coordinator, former EFA Secretary General, Director European Capital of Culture Bruges 2002, Co-Founder Kaaitheater Brussels – Belgium)
  • Rania Elias (Director Jerusalem Festival and Yabous Cultural Centre, Palestine)
  • Bernard Faivre d’Arcier (former long-standing Artistic Director of the Avignon Festival and President of the Lyon Biennial – France)
  • Rose Fenton (Director Free Word, Co-Founder LIFT Festival, London – UK)
  • Nele Hertling (Vice President of the Academy of Arts Berlin, Member Strategy Group “A Soul for Europe” – Germany)
  • His Excellency Mr. Mohamed Kabbaj (President and founder of the Fès Festival of World Sacred Music and of Spirit of Fes Foudation, Morocco)
  • Jonathan Mills (Festival Director and Chief Executive Edinburgh International Festival – UK)
  • Annemie Vanackere (Artistic Director Hebbel Theater Berlin – Germany)

Participants

The Atelier is a working space especially designed for festival operators:

  • dealing with one or more artistic disciplines within a festival
  • having a basic practical knowledge in festival operation
  • demonstrating the ambition to deepen their skills in the field of programming or in a department closely related to it (e.g. communication, production…)
  • proving alternatively that a study course (already completed or due to be completed) is in line with the Atelier
  • giving evidence of his/her ambition to work in the festival business

Terms and conditions

The following application criteria will be applied (not cumulative):

  • average age of Atelier participants (from experience of past editions) is 35
  • excellent knowledge of English (working language of the Atelier)
  • applications (selection criteria are not cumulative) must be:
    • supported by a festival or another initiative in the cultural sector
    • supported by a training/academic institute (study module)
    • based on a proof of future employment in the field
    • based on personal arguments and motives

Course fee

  • individual EFA members: 1300,00 EUR
  • non EFA-members: 2100,00 EUR

The fee includes accommodation for seven nights, registration, working documents, access to all sessions, meals and drinks, receptions, local transport, cultural and artistic programme and follow–up activities.

Travel expenses and health insurance are on the participants’ costs. EFA will assist as much as possible with visa issues and other permissions in preparation of the Atelier.

Application procedure & deadlines

The call for application for the Atelier BEIRUT 2015 is open. The application form must be submitted by 31 October 2014!

A selection Committee set up by EFA will evaluate the applications. Successful candidates will receive a confirmation letter in the mid-October 2014. The decision of the Selection Committee is final and no correspondence on the selection process will be entered into.

Funding

Funding opportunities for a training programme such as the Atelier are numerous at local/national level. EFA advises applicants to start researching funding opportunities at national and international level from the moment they apply. EFA is glad to provide information on possible support schemes at international level. Have a look at previous examples of participants’ funding and funding institutes.

CROSSING EUROPE Filmfestival: LOCAL ARTISTS

Die Local Artists-Sektion im Festivalprogramm von CROSSING EUROPE zeigt aktuelle Film- und Videoarbeiten der Jahre 2014/2015 aus Linz bzw. Oberösterreich und bietet der heimischen Filmszene und jungen FilmemacherInnen eine internationale Plattform. Einmal mehr sind Oberösterreichs Film- und Videoschaffende herzlich eingeladen, ihre aktuellen Arbeiten für die Local Artists-Schiene einzureichen.

Willkommen sind Filme und Videos aller Genres, Formate und Längen; eine eigene Kategorie ist dem Musikvideo gewidmet. Zugelassen werden Arbeiten von in Oberösterreich lebenden, arbeitenden oder studierenden KünstlerInnen sowie Produktionen, die von einer oberösterreichischen Förderstelle mitfinanziert worden sind.
 
Folgende Preise werden in dieser Kategorie vergeben:
// CROSSING EUROPE Award – Local Artist
// CREATIVE REGION Music Video Audience Award
// CROSSING EUROPE Award – Local Artist Atelierpreis
Details zu den Festivalpreisen gibt es hier.
 
Einreichschluss ist am 5. Jänner 2015. Auf der Festivalwebsite findet sich ein detaillierter Überblick über das Reglement sowie das Einreichformular.
Regelmäßige Updates und aktuelle Informationen zu CROSSING EUROPE 2015 gibt es wie immer auf unserer Website www.crossingEurope.at oder via Facebook, google+, Flickr und Twitter.

crossing europe filmfestival linz // 23 – 28 april 2015
graben 30 / 4020 LINZ / austria
http://www.crossingEurope.at

 

EFFE Qualitätssiegel für Festivals

Europe for Festivals, Festivals for Europe (EFFE) ist ein Pilotprojekt der Europäischen Kommission zum Aufbau einer europaweiten Plattform für Festivals. Zum Start vergibt EFFE ein Qualitätssiegel an Festivals, die sich durch besonderes künstlerisches Engagement, Mitwirkung in ihren lokalen Gemeinden sowie durch eine europäische und globale Perspektive auszeichnen.

Bis zum 15. November 2014 können sich interessierte Festivals bewerben. Die Bewertung übernehmen „National Hubs“ der Mitgliedstaaten. Österreich stellt dabei eines der wenigen Mitglieder dar, das keine nationale Kontaktstelle für Bewerber bereithält. Das Kulturministerium verweigerte die dazu notwendigen 10.000 Euro. Dem Unwillen des Ministeriums zum Trotz können sich österreichische Festivals dennoch direkt bei EFFE bewerben.

Aus allen Bewerbungen wählt eine internationale Jury „die experimentierfreudigsten und aufregendsten“ Festivals aus und kürt die Gewinner im Rahmen einer Gala im Herbst 2015.

www.effe.eu

Welser StadtschreiberIn 2015

Im Zuge der Welser Innenstadtagenda 21 wird für 2015 ein/eine Stadtschreiber/Stadtschreiberin für Wels gesucht. Das zwei- bis maximal dreimonatige Stipendium richtet sich an Literaten/Literatinnen ohne
Altersbeschränkung.

Im Rahmen dieses Stipendiums wird eine Unterkunft in Wels zur Verfügung gestellt. Die
Höhe des Stipendiums beträgt pro Monat Euro 1.100,–.
Mit der Ausschreibung ist das Ziel verbunden Literaten/Literatinnen zu fördern, die
– in Ihrer Arbeit über einen großen Gegenwartsbezug verfügen,
– künstlerische Eigenständigkeit aufweisen,
– bereit sind in Austausch mit der Welser Kulturszene zu treten.

Kriterien:
– Grundkenntnisse der deutschen Sprache erwünscht
– mindestens eine selbstständige literarische Publikation (nicht im Eigenverlag)
oder fünf unselbstständige Publikationen in Zeitschriften oder Anthologien.
– Bereitschaft, sich auf einen Dialog in Wels einzulassen
– Bereitschaft zu Lesungen, Schulbesuchen, Diskussionen.
– Bekanntgabe einer konkreten Projektidee, an der während des Aufenthaltes
gearbeitet werden soll.

Unterlagen für die Einreichung:
– Lebenslauf
– Angaben zum literarischen Werdegang
– 2 Publikationsbeispiele (max. 10 Seiten pro Textprobe, keine Büchersendungen)
– Skizzierung des Projektvorhabens für den Aufenthalt (max. 2 Seiten)

Auswahl:
Die Auswahl trifft eine dreiköpfige Jury im Jänner 2015

Einreichschluss:
12. Dezember 2014

Die Einreichungen richten Sie bitte ausschließlich auf dem Postweg an

Stadt Wels
Dienstelle Kulturaktivitäten
Minoritengasse 5
4600 Wels

Kontakt:
Stadt Wels
Dienststelle Kulturaktivitäten
Herr Rudolf Stögermüller
Minoritengasse 5
4600 Wels
Tel.: +43-(0)7242-6680
Email: ka@wels.gv.at

maiz – Call: Universität der Ignorant_Innen

Diese Einladung und Ausschreibung richtet sich an alle, die sich im Werden begreifen und  Lust haben, sich mit einem EIGENEN BEITRAG an der im Rahmen des 20-jährigen Bestehens von MAIZ stattfindenden „Antropophagischen Woche“ zu BETEILIGEN und/oder daran teilzunehmen.

Ihr habt hier die Gelegenheit, bei der Gründung der UNIVERSITÄT DER IGNORANT_INNEN dabei zu sein, Euch kreativ durch die gemeinsame Produktion von gegen-hegemonialem Wissen in Form von wechselseitigem Lernen/Lehren einzubringen.

Wer sich zur Mitgestaltung herausgefordert fühlt, näheres zum Konzept der Universiät der Ignorant_innen und der Gründung von maiz erfahren möchte oder neugierig auf die Theoretikerinnen und Aktivistinnen ist, findet dazu im Anhang zum call Genaueres.

Hinweise zur Teilnahme, zu den Beiträgen und worauf wir achten wollen, sind dem zweiten Anhang „Über die Beiträge zum Fehlerarchiv“ zu entnehmen. Beide Anhänge sind in drei Sprachen online zugänglich (s.u.)
Weitere sind in Arbeit.

Wir freuen uns auf Eure Vorträge und Diskussionen, Workshops, Performances, Film-/Videopräsentationen, Musik usw.!

-Deadline: 30.09.2014
-Antropophagische Woche: 14.–16. November 2014

DOWNLOAD ZUM UNICALL AUF
Spanisch:
http://www.maiz.at/sites/default/files/images/maiz_uni_call_espa_6.pdf
Englisch:
http://www.maiz.at/en/subproject/call-papers
Deutsch:
http://www.maiz.at/de/subprojekt/call-papers

DOWNLOAD ZUM FEHLERARCHIV AUF
Spanisch:
http://www.maiz.at/sites/default/files/images/reglas_uni_ignorantes-esp.pdf
Englisch:
http://www.maiz.at/en/subproject/about-archive-errors
Deutsch:
http://www.maiz.at/de/subprojekt/aufruf-fuer-beitraege-fuer-das-fehlerarchiv

DOWNLOAD ZUM ANMELDEFORMULAR AUF
Spanisch:
http://www.maiz.at/es/content/registracion-por-la-semana-antropofargica
Englisch:
http://www.maiz.at/en/content/register-anthropophagic-week
Deutsch:
http://www.maiz.at/de/webform/uni-anmeldung